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IndiaStar Review of Books
Indus Script: the Mother of
All Alphabetic Scripts
-- Book Review --
The Deciphered
Indus Script:
Methodology, Readings, Interpretations
by
Natwar Jha
and
N. S. Rajaram
(New Delhi: Aditya Prakashan,
2000
270 pages with numerous illustrations, Rs. 950)
Reviewed by C.
J. S. Wallia
Science historians have long acknowledged that the international
numeral system (1,2, 3,), based on the concepts of placement
and zero, as well as the decimal system were invented by the
ancient Hindus. (Nonetheless many Western publications continue
to call these numerals Arabic-- Arab historians themselves have
always acknowledged the numerals' Hindu origins.)
An even more fundamental contribution to human knowledge--
the origin of alphabetic writing--must now be credited to the
ancient Hindus. This claim arises from the deciphering of the
ancient Indus script recently accomplished by Natwar Jha. In
1996, he published Vedic Glossary on Indus Seals, which
briefly explained his methodology and presented readings of more
than 100 seals. It was an English language summary of his monumental
publications, Sindhu Mudra Lipi Bhasa, in Sanskrit, and
Sindhu Sabhyata ki Mudraon ki Bhasa aur Lipi, in Hindi.
The Deciphered Indus Script, written in collaboration
with Navaratna Rajaram, is a more comprehensive exposition of
the methodology, readings, and interpretations. The decipherments
are Jha's; the historical interpretations are Rajaram's. The
authors summarize:
"Jha's decipherment tells us that the language of
the seals is Vedic Sanskrit, while the writing itself is proto-alphabetical,
representing an intermediate stage in the transition from a primitive
consonantal (syllabic) system to the phonetically exact alphabetical
writing which is the unique achievement of the Indian civilization.
"...The readings on the seals are overwhlemingly from
the Vedic literature. The same is true of the symbolism of the
images. From this we conclude that at least those seals that
carry Vedic themes were created to serve as educational aids,
as a combination of an index and a Vedic theme."
In the first part of Vedic Glossary on Indus Seals,
Jha described his major insight into his deciphering efforts:
the four- to five-thousand-years-old inscriptions were meant
to serve as a link betweenVedic literature and archaeology. Jha's
inspiration came from his reading about Rishi Yaska's search
in the Mahabharata for Kashyapa's lost Sanskrit etymological
composition. Jha wrote:
"The 'Moksa Dharm--Santiparv--chapter 343 of Mahabharat
and its couplet no. 71, 72, 73, 88, 89, 92, and 93 are very important
for understanding the subject matter as written on Indus seals.
Where couplet 73 is clearly related with the Indus seals and
couplet 92 records Aryan trend of considering Lord Vishnu in
the form of unicorn (bull with one horn), called the Eksringah
Nandivardhnhah in our epic and 'bull-bos indicus' called the
Vrisha, Vrishakapi, Sipivisht, and Trk-kut. Similarly couplet
89 assimilates all above material information on varied forms
of bulls with Nighantu -- the first generation
Vedic glossary composition. We get information from couplet 73
that Nighantu was buried in the ground for certain reasons, like
floods; and after some time, under the able guidance of Rishi
Yaska an attempt was made to excavate the buried composition.
And thus the recovered material formed the basis of composing
Nirukta -- the second generation Vedic composition."

Natwar Jha, who serves as the principal of Kendriya Vidyalaya,
Farraka, West Bengal, spent 20 years on the Indus script project.
He has deciphered more than half of the known seals and established
the script as old Brahmi, a thousand years older than the Phoenician
script, which was the supposed origin of all alphabetic writing.
In detailed charts, the book shows stage-by-stage derived forms
from the Indus script that include Phoenician, Aramaic of Taxila,
Sabien Hemyaretic, and Greek.
Commenting on Jha's earlier work, Rajaratnamwrote (before
they were acquainted): "I find the readings so decisive
that I am convinced that all previous theories, readings, and
formulations have been rendered irrelevant by Jha's work. Any
changes, if needed, will only be refinements. ...In the Indus
seals, we have in all probability the mother of alphabetic writing.
This is only one of the revisions to our knowledge of history
of science brought about by the decipherment of the Indus script."
The beautifully crafted 5,000-year-old Indus seals, discovered
in 1921, long baffled scholars who attempted to decipher the
script accompanying the images. The scholars failed largely because
of the assumption under which they labored-- they uncritically
assumed the inscriptions had to be pre-Vedic and Dravidian. These
assumptions stemmed from the prevailing Eurocentric, colonial
dogma that Sanskrit-speaking invaders came to India from the
West and could not have composed the Vedas before 1200 B.C. This
date was insisted upon by writers like Max Muller, who worked
long and hard to deliberately distort the Vedas for their hidden
agenda to persuade Hindus to convert to Christianity. Muller
insisted on the very late date for the Rig Veda to fit into the
Judeo-Christian time scale, which posited that the world itself
had been created in 4004 B.C.!
The Aryan invasion theory is in tatters now. No Aryan journey
to the east; instead, Sanskrit speakers migrated westwards into
Kassite Iran, Hittite Anatolia, Greece, and much further. N.Rajaram
and David Frawley, in their acclaimed book The Vedic Aryans and
the Origins of Civilization: A Literary and ScientificAnalysis
date the composition of the Rig Veda at 3750 B.C. They base this
date, in part, on Subhash Kak's brilliant work on the astronomical
code contained in the Rig Veda.
In the introductory chapter ofVedic Glossary on Indus Seals,
Jha discussed how the Indus civilization ended. He
cited recent Indo-French LANDSAT satellite mappings of the shifting
courses of the Sarasvati river over many centuries during the
third millennium B.C. The final drying up of the Sarasvati occurred
in 1900 B.C. because tectonic plate movements made the mighty
river lose two of its tributaries, Yamuna and Sutlej. (Noting
the centrality of the Sarasvati in the civilization of Sapta
Sindhu or seven rivers, from 7500 B.C. to 1900 B.C., and the
repeated homage this river receives in the Rig Veda, Subhash
Kak has suggested that the Indus civilization be renamed as Sarasvati
civilization and the script on the seals as Sarasvati script.)
The famous Dholavira sign-board
consisting of 10 large signs, each sign
approximately 37cm by 27cm, embedded in semi-precious stones
on a
wooden board is deciphered and translated by Jha and Rajaram
as:
"I was a thousand times victorious over avaricious raiders
desirous
of my wealth of horses." A warning to would-be horse thieves!
In the second part of Vedic Glossary on Indus Seals,
Jha claimed the Indus script as "the first and the oldest
scientific script of the world, which later on crossed the national
boundary and went to West Asia and Europe, where it developed
as Semitic and Greek." Jha presented a convincing, stage-by-stage
comparative study in the next 50 pages.
Some of the main features of Jha's decipherment are: the old-Brahmi
script is written from left to right, although sometimes it is
also written right to left like plough lines on soil ("halayudh
lekhan paddhti"); there are 61 basic signs in total comprising
55 consonants, 1 Onkar, 3 Vowels, and 2 Ayogwah (combination
of vowel and consonant); there are also 162 composite signs;
Phoenician is a reduced subset of 22 signs from the old-Brahmi's
61 signs; some seals are inscribed with the swastika as well
as a cross without arms; a few of the signs are pictographic,
but most of them are alphabetic.
The Indus/Sarasvati script or old-Brahmi developed in two
divergent directions in India: Devanagari and related North Indian
regional variants; and Ashokan Brahmi from which derived Bhattiprolu
Brahmi in South India.
Jha also charted the evolutionary stages of the five point
numeral system, shown on the reverse side of several seals, into
Greco-Roman numerals. Some of the seals carry mathematical formulas.
One seal is carved with the formula for the circumference to
diameter ratio or p from "paridhi vyas anupati"from
which derived the term pi of the Greeks. Another seal shows the
formula for the circumference of a circle as 2 times p times
radius.
Jha cites the work of Navaratna Rajaram and A. Seidenberg,
an eminent American historian of science, for establishing the
source of both Egyptian and old Babylonian mathematics in the
technical manuals for the construction of complex geometrical
Vedic fire altars, Sulba-Sutras.
This is a landmark book!
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