IndiaStar: A Literary-Art Magazine


-bookreview-

 

Inheritance
by Indira Ganesan

New York: Knopf 1998

 

Reviewed by Veena Nair
["Veena Nair is a Ph.D. in English
from U.C. Berkeley." -- ed.]

 

 

Indira Ganesan continues her journey with her new

novel Inheritance on the imaginary Island of Pi.

The heroine ofInheritance is fifteen-year-old Sonil, who

has "hardly two days apart when she is not sick."

Sonil has come to the Island of Pi on a four-month leave

from her pre-university to recover at her grandmother's

house on the island away from the "infected cities."

"The island air is so good---she'll recover well," her

grandmother assures her aunts who have carefully watched

over her for the last nine years.

 

Sonil's mother, Lakshmi, is mysterious, beautiful,

colorful, strange, sexy and out of reach for Sonil.

Lakshmi, who avoids Sonil, has had several affairs and

has been widowed once. Two of her three children were

illegitimate: one born of a liaison with a filmmaker's son,

and Sonil born out of a liaison with an American

photographer. Lakshmi is presented dramatically

throughout the book, almost as a voyeur. Sonil,

however, is a voyeur and understandably so. For

the last nine years she has imagined her mother in

various ways. She secretly invades the privacy of

her mother's room. She sniffs her perfume. On

another occasion she borrows her mother's

personal poetry books because "I thought I might

find out something about my mother by reading her

friend's verse."

 

Sonil's closest relationship is with her cousin

Jani, who, in order to avoid getting married and going

through the "pain" of having babies, decides to devote

herself to God and enter a convent . When Jani leaves

Pi we meet Richard, who is twice Sonil's age, an American

(of course!) who has come to India to be spiritually awakened.

Sonil soon becomes engulfed in sexual escapades with

Richard. When she returns to her grandmother's compound

after having spent entire afternoons with Richard, even taking

afternoon naps with him, the busy Indian household seems

oblivious to her absence.

 

Sonil always sees her mother from faraway -- there's very

little physical contact between mother and daughter.

Very early in the novel, the author sets up a revealing

moral dilemma between the mother and daughter

that speaks of conflict. When Richard inevitably leaves

Sonil because he is too old, Sonil, like her cousin Jani

thinks of religion. The introduction of the temple scene

where Sonil takes a bus to a temple she has never been

to before is brilliant. Sonil visits the temple devoted

to Sita, (a reincarnation of Lakshmi), who followed

her husband into a forest for a fourteen-year exile.

 

Richard comes through as a wry character with

almost no depth. The transition from the tropical

world of warmth in her grandmother's house to

the American way of life and expectations

is somewhat shaky. Ganesan writes with a

profound warmth and feeling about the Indian

side of Sonil. The Western characters in the book

however seem incomplete and lack warmth.

The novel concludes with promises of happiness

after Sonil meets with her father and has somewhat

reconciled with her mother. In the end, however,

Inheritance fails to hold an audience because

the novel is filled with cliches and promises

unfulfilled.