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Fanon for Beginners

by Deborah Wyrick

New York: Writer and Readers Publishing, 1998
188 pages

 

Reviewed by Julian J. Samuel

[Editor's note: Julian Samuel is the author
of Passage to Lahore, a novel.]

 

In the current age of "Cultural Studies," "Postcolonial Studies," and

"Postmodernism," when preference is given to incoherent writing and

thinking, Dr Wyrick's 'Fanon for Beginner's' is a lighthouse in a sea of

self-promoting nonsense. She clearly introduces Frantz Fanon's rich

understanding of the psychosis of colonized people and colonizers to anyone

no matter what their educational background happens to be; readers with

just high school diplomas to the loftiest of logicians will learn

something from this book. And her illustrations are cheekier than the

Gazette's Aislin. They are twisted, hilarious, vaguely recalling the images

of James Ensor and the wry wit of cartoonist Ralph Steadman.

 

Has Fanon's influence waned since his death thirty-seven years ago? No.

His books are used throughout not only the Third World, but by many

institutions of higher learning in America and Europe.

 

Fanon was born in Martinique in 1925, studied psychiatry in France, went

to Algeria to head a hospital at Blida where he joined the struggle for

Algerian liberation (1954-62). In 'The Wretched of the Earth,' he exposes

the violence of the colonialist and sides with the counter-violence of its

victims. This work has been translated into 25 languages including Urdu,

(now a native language of England); and, into Farsi, by Dr. Ali

Shari'ati, a major influence on the Iranian revolution of 1979. Fanon died

in 1961.

 

Wyrick's book leads to a deeper understanding of popular culture,

geopolitics, the psychological basis of racism, colonialism and is free of

sleazy political correctitude. Fanon's thinking on homosexuality et cetera

is dated, those easily wounded should read 'Foucault for Beginners'

instead. However, Fanon does explain the radical participation of

Algerian women in their war against France with rigour and elegance.

 

Wyrick traces Fanon's development through his books. 'Black Skin, White

Masks,' (1952), details sex and politics: "When my restless hands caress

those white breasts, they grasp white civilization and dignity and make

them mine." And fear: "The Negro is an animal, the Negro is bad, the Negro

is mean, the Negro is ugly...The Nigger is shivering with cold, that cold

goes through your bones, the handsome little boy is trembling because he

thinks that the Nigger is quivering with rage, the little white boy throws

himself into this mother's arms. Mama, the nigger is going to eat me up."

 

In 'A Dying Colonialism' (1970) Fanon devotes many pages to the veil and

its political importance: "For the tourist and the foreigner, the veil

demarcates both Algerian society and its feminine counterpart." Here Wyrick

offers us the complexity of the role of the veil in the Algerian

revolution: "...European bosses tried to reacculturate their male Algerian

employees, demanding that they bring their wives to company functions.

Algerian men were caught in a double bind: if they agreed, they violated

cultural prohibitions against women being on display; if they refused, they

risked losing their jobs." She shows how Fanon looks at this question from

many points of view; he says: "The rape of the Algerian woman in the dream

of a European...is always preceded by a rending of the veil." Wyrick does

not show whether Fanon saw the few so-called modernizing effects of

colonialism: what for example was the position of the average colonialist

regime on clitoridectomy?

 

When discussing 'The Wretched of the Earth' (1963), Wyrick deals with

Fanon's controversial views of anti-colonial violence by showing the very

concrete link between the devouring colonizer and the terror he imposes.

Mildly schizophrenic commentators on Fanon have intentionally deformed his

reading of counter-violence. The Globe and Mail's Robert Fulford recently

wrote this about Fanon: "God knows how many deaths his madness helped

justify." (22 April, 1998). Fulford, in his youth, may have fallen under

the influence of Time Magazine: "Fanon ... an apostle of violence...a

prisoner of hate..." (April, 1965).

 

Fanon's words are: "The practice of violence binds [colonized people]

together as a whole, since each individual forms a violent link in great

chain, a part of the great organism of violence which has surged upward in

reaction to the settler's violence in the beginning..."

 

Richard Nixon, George Bush, Saddam Hussein and Benazir Bhutto are not

scented replicas of Florence Nightingale. Would it not be naive to expect

Third World populations to lie down and hand over raw materials, oil,

postcolonial sex tourism, and cheaply made running shoes free of charge?

 

"Fanon for Beginners'" could be terrifically useful: think of all the

dinner parties you've gone to where you have felt inadequately informed on

the colonised world. Reading this book will get you solidly grounded in

these matters, and you will be able--if you feel like it--to use verbal

violence against people whose arguments you've found inadequate, smug or

mildly schizophrenic.