Reviewed by C. J. S. Wallia
Science historians have long agreed that the international
numeral system (1,2, 3,), based on the concepts of placement
and zero, as well as the decimal system were invented by the
ancient Hindus. (Nevertheless, many Western publications continue
to call the everyday numerals Arabic, even though Arab historians
have always acknowledged the numerals' Hindu origins.)
An even more fundamental contribution to human knowledge--
the origin of alphabetic writing -- should now be credited to
the ancient Hindus. This claim arises from the successful deciphering
of the ancient Indus script recently accomplished by Natwar Jha.
In his new book, Vedic Glossary on Indus Seals, Jha
explains his methodology and presents readings of more than 100
seals. The book is an English language summary of his monumental
publications, Sindhu Mudra Lipi Bhasa, in Sanskrit, and
Sindhu Sabhyata ki Mudraon ki Bhasa aur Lipi, in Hindi.
Dr. Natwar Jha, who serves as the principal of Kendriya Vidyalaya,
Farraka, West Bengal, spent 20 years on the Indus script project.
He has deciphered more than 3500 seals and established that the
script is old Brahmi, a thousand years older than the Phoenician
script, the currently believed origin of all alphabetic writing.
In detailed charts, Jha shows stage-by-stage derived forms from
old-Brahmi that include Phoenician, Aramaic of Taxila, Sabien
Hemyaretic, and Greek.
I sought evaluations of Jha's work from several Sanskrit scholars
currently researching the early history of science and paleography.
In response, Dr. Navaratna Rajaram, author of The Politics
of History: Aryan Invasion Theory and the Subversion of Scholarshipsent
me a 22-page personal communication:
"I find the readings so decisive that I am convinced that
all previous theories, readings, and formulations have been rendered
irrelevant by Jha's work. Any changes, if needed, will only be
refinements. ...In the Indus seals, we have in all probability
the mother of alphabetic writing. This is only one of the revisions
to our knowledge of history of science brought about by the decipherment
of the Indus script."
Another response, just as enthusiastic, came from Dr. Atamjit
Singh, former dean of Punjabi studies at Guru Nanak Dev University,
Amritsar, and currently a visiting lecturer at the University
of California, Berkeley.
The beautifully crafted 5,000-year-old Indus seals, discovered
in 1875, had long baffled scholars attempting to decipher their
script. The scholars failed largely because of the assumption
under which they labored-- uncritically accepting that the inscriptions
had to be pre-Vedic and Dravidian. This assumption stemmed from
the prevailing Eurocentric, colonial dogma that Sanskrit-speaking
invaders came to India from the West and could not have composed
the Vedas before 1200 B.C. The arbitrary date was insisted upon
by writers like Max Muller, who had a hidden agenda to convert
Hindus to Christianity and worked long and hard to deliberately
distort the Vedas. Muller insisted on the very late date for
the Rig Veda to fit into the Judeo-Christian time scale, which
posited that the world itself had been created in 4004 B.C.!
The Aryan invasion theory is in tatters now. No Aryan journey
to the east; instead, Sanskrit speakers migrated westwards into
Kassite Iran, Hittite Anatolia, Greece, and much further. N.Rajaram
and David Frawley, in their acclaimed book The Vedic Aryans
and the Origins of Civilization: A Literary and ScientificAnalysis
date the composition of the Rig Veda at 3750 B.C. They
base this date,
in part, on Subhash Kak's brilliant work on the astronomical
code contained in the Rig Veda.
In the introductory chapter ofVedic Glossary on Indus
Seals,
Jha discusses how the Indus civilization ended. He cites
recent Indo-French LANDSAT satellite mappings of the shifting
courses of the Sarasvati river over many centuries during the
third millennium B.C.
The final drying up of the Sarasvati occurred in 1900 B.C. because
tectonic plate movements made the mighty river lose two of its
tributaries, Yamuna and Sutlej. (Noting the centrality of the
Sarasvati in the civilization of Sapta Sindhu or seven rivers,
from 7500 B.C. to 1900 B.C., and the repeated homage this river
receives in the Rig Veda, Subhash Kak has suggested that the
Indus civilization be renamed as Sarasvati civilization and the
script on the seals as Sarasvati script.)
In the first part of Vedic Glossary on Indus Seals,
Jha describes his major insight into his deciphering efforts:
the four- to five-thousand-years-old inscriptions were meant
to serve as a link betweenVedic literature and archaeology. Jha's
inspiration came from his reading about Rishi Yaska's search
in the Mahabharata for Kashyapa's lost Sanskrit etymological
composition.
Jha writes:
"The 'Moksa Dharm--Santiparv--chapter 343 of Mahabharat
and its couplet no. 71, 72, 73, 88, 89, 92, and 93 are very important
for understanding the subject matter as written on Indus seals.
Where couplet 73 is clearly related with the Indus seals and
couplet 92 records Aryan trend of considering Lord Vishnu in
the form of unicorn (bull with one horn), called the Eksringah
Nandivardhnhah in our epic and 'bull-bos indicus' called the
Vrisha, Vrishakapi, Sipivisht, and Trk-kut. Similarly couplet
89 assimilates all above material information on varied forms
of bulls with Nighantu -- the first generation
Vedic glossary composition. We get information from couplet 73
that Nighantu was buried in the ground for certain reasons, like
floods; and after some time, under the able guidance of Rishi
Yaska an attempt was made to excavate the buried composition.
And thus the recovered material formed the basis of composing
Nirukta -- the second generation Vedic composition."
In the second part, Jha begins by asserting that the Indus
script was "the first and the oldest scientific script of
the world, which later on crossed the national boundary and went
to West Asia and Europe, where it developed as Semitic and Greek."
He then goes on to present the reader a convincing, stage-by-stage
comparative study in the next 50 pages.
As an example, on page 19 Jha argues that the Greek script
descended directly from the old-Brahmi: the dental consonant
'th' is not found in Semitic but it is in common in Sanskrit
and in Greek. Jha cites Panini's famous work, Ashtadhyayi,
(2900 B.C. -- this date is cited by Rajaram and Frawley),
in which Yavan Lipi (Greek script) is mentioned. It's long been
established that the Greek language is far closer to Sanskrit
than it is to any Semitic language; now, it's likely the Greek
script derived from the old-Brahmi.
Some of the main features of Jha's decipherment are: the old-Brahmi
script is written from left to right, although sometimes it is
also written right to left like plough lines on soil ("halayudh
lekhan paddhti"); there are 61 basic signs in total comprising
55 consonants, 1 Onkar, 3 Vowels, and 2 Ayogwah (combination
of vowel and consonant); there are also 162 composite signs;
Phoenician is a reduced subset of 22 signs from the old-Brahmi's
61 signs; some seals are inscribed with the swastika as well
as a cross without arms; a few of the signs are pictographic,
but most of them are alphabetic.
The Indus/Sarasvati script or old-Brahmi developed in two
divergent directions in India: Devanagari and related North Indian
regional variants; and Ashokan Brahmi from which derived Bhattiprolu
Brahmi in South India.
Jha also charts the evolutionary stages of the five point
numeral system, shown on the reverse side of several seal, into
Greco-Roman numerals. Some of the seals carry mathematical formulas.
One seal is carved with the formula for the circumference to
diameter ratio or p from "paridhi vyas anupati"from
which derived the term pi of the Greeks. Another seal shows the
formula for the circumference of a circle as 2 times p times
radius.
Jha cites the work of Navaratna Rajaram and A. Seidenberg,
an eminent American historian of science, for establishing the
source of both Egyptian and old Babylonian mathematics in the
technical manuals for the construction of complex geometrical
Vedic fire altars, Sulba-Sutras.
Jha's achievement is truly impressive-- a landmark book!